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nas78
President of the International Brotherhood of Teamsters
Posts: 1,435
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Post by nas78 on Sept 5, 2021 16:26:33 GMT -5
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Post by CharlieKappa on Jan 19, 2022 11:42:55 GMT -5
RIP Gaspard Ulliel
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Post by CharlieKappa on Apr 20, 2022 3:38:47 GMT -5
Raging Bull - The Criterion Collection
DIRECTOR-APPROVED SPECIAL EDITION FEATURES New 4K digital master, approved by director Martin Scorsese, with 2.0 surround DTS-HD Master Audio soundtrack In the 4K UHD edition: One 4K UHD disc of the film presented in HDR and one Blu-ray with the film and special features New video essays by film critics Geoffrey O’Brien and Sheila O’Malley on Scorsese’s mastery of formal techniques and the film’s triumvirate of characters Three audio commentaries, featuring Scorsese and editor Thelma Schoonmaker; director of photography Michael Chapman, producers Robert Chartoff and Irwin Winkler, casting director Cis Corman, music consultant Robbie Robertson, actors Theresa Saldana and John Turturro, and sound-effects supervising editor Frank Warner; and boxer Jake La Motta and screenwriters Mardik Martin and Paul Schrader Fight Night, a making-of program featuring Scorsese and key members of the cast and crew Three short programs highlighting the longtime collaboration between Scorsese and actor Robert De Niro Television interview from 1981 with actor Cathy Moriarty and the real Vikki La Motta Interview with Jake La Motta from 1990 Program from 2004 featuring veteran boxers reminiscing about La Motta Trailer English subtitles for the deaf and hard of hearing PLUS: Essays by poet Robin Robertson and film critic Glenn Kenny New cover by Eric Skillman www.criterion.com/films/29158-raging-bull
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Post by CharlieKappa on May 2, 2022 14:43:22 GMT -5
Street Scenes - Martin Scorsese (1970)In the late Spring of 1970, nationwide protests against the war in Vietnam focused in the Wall Street area of New York City and ultimately in a major anti-war demonstration in Washington, D.C. A group of New York University film students documented the demonstrations as they happened in both cities. Later, in New York, the massive amount of black and white and color 16mm footage was edited into this important record of the day by day events. The extended final scene, shot by Edward Summer in a hotel room in Washington, D.C., is a spontaneous conversation among Martin Scorsese, Harvey Keitel, Jay Cocks and Verna Bloom who, along with a large group of NYU students, found themselves frustrated and perplexed by the events and hopeful that the protests would result in change. "I edited throughout the night over a period of ten days, trying to give a formal structure to the ensemble, swearing that I would not let myself embark into a political film if I could not direct it from one end to the other," Scorsese once said of the project. "When I showed the film to the participants, they hated it: they didn't find that it was contestable enough. They felt betrayed, they didn't recognize what they had lived through. However, I believe that the film was honest: I showed the sad reality, the anger, the frustration, the irresponsibility, the general sentiment of powerlessness."ok.ru/video/2561266485926
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