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Post by arnzilla on Sept 27, 2019 19:03:53 GMT -5
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Post by arnzilla on Sept 28, 2019 11:21:00 GMT -5
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Post by arnzilla on Sept 28, 2019 11:26:13 GMT -5
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Post by TwoTecs on Sept 28, 2019 22:00:20 GMT -5
Richard Brody: www.newyorker.com/culture/the-front-row/highlights-from-the-new-york-film-festival-martin-scorseses-colossal-mournful-the-irishman/amp>Scorsese’s de-aging of the actors is more than a stunt; it’s the movie’s moral spine. Time, generations, and age are central to “The Irishman”; it’s the story of its characters but also the story of an era, and it’s crucial to the movie’s affect that its protagonists are played by people who were formed by those times, both culturally and unconsciously. These actors aren’t merely powerful and subtle (the Academy will have its hands full with De Niro, Pacino, and Pesci), or at the very summit of their talent; they are incarnations of the past.
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Post by arnzilla on Sept 30, 2019 14:47:47 GMT -5
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Post by arnzilla on Oct 2, 2019 18:04:02 GMT -5
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Post by arnzilla on Oct 13, 2019 14:14:14 GMT -5
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Post by arnzilla on Oct 14, 2019 9:03:24 GMT -5
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nas78
President of the International Brotherhood of Teamsters
Posts: 1,439
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Post by nas78 on Oct 17, 2019 12:08:55 GMT -5
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Post by arnzilla on Oct 28, 2019 11:54:47 GMT -5
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nas78
President of the International Brotherhood of Teamsters
Posts: 1,439
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Post by nas78 on Oct 28, 2019 12:00:21 GMT -5
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Post by arnzilla on Oct 28, 2019 15:27:52 GMT -5
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Post by arnzilla on Oct 29, 2019 13:49:51 GMT -5
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Post by arnzilla on Nov 4, 2019 19:37:12 GMT -5
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