Margot Robbie

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Margot at VF Behind The Scenes (What a cool girl she is)
www.youtube.com/watch?feature=player_detailpage&v=UyvqmfWAoeI

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Margot at Vanity Fair Oscar Party (Sweet Baby Jesus!!!)
www.gettyimages.com/Search/Search.aspx?contractUrl=2&language=en-US&family=editorial&assetType=image&p=margot+robbie

[arnzilla]

She looks like Megan Fox after taking a shower.

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Margot Robbie
Look what I just found in a box.. The original Wolfofwallstreet draft

http://instagram.com/p/l5mSpDhF4W

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OMFG!!!

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Best. Photo. Ever.

[arnzilla]

Nice fish.

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New interview on Vanity Fair (July 9)
www.vanityfair.com/vf-hollywood/margot-robbie-actress-photos

Margot Robbie was so outrageously seductive as The Wolf of Wall Street’s trophy wife, Naomi (a role that earned her an Empire Award in March), that she managed to exceed the script’s hyperbolic requirement that she personify “the hottest blonde ever.” When she makes her sizzling entrance at a Hamptons bacchanal, one prurient male declares, “I’d fuck that girl if she was my sister!” Another breaks down on the spot and masturbates.

Martin Scorsese’s casting director, Ellen Lewis, who first brought Robbie to the master’s attention, said, “As beautiful as she is, that’s how talented she is.”

Beore Pan Am was canceled, Robbie sent an audition tape to Ellen Lewis, Martin Scorsese’s casting director, without any real expectation of a response. The Wolf script had gone out to scores of hopefuls, she initially felt little sympathy for the gold-digger character, and she was ambivalent about the requisite nude scenes. Robbie had perhaps one edge over the competition: she had nailed Naomi’s salt-of-the-earth, outer-borough accent. For inspiration, she had drawn upon “my best friend from New York—a chef who grew up in Queens.” Robbie also channeled a woman from “the props department of Pan Am,” which had been shot at the Brooklyn Navy Yard. “These women have huge personalities,” Robbie says. “Nothing like what we have in Australia.”

Back in 2009, during the Neighbours era, an Australian journalist asked the then 18-year-old novice what actors she would most like to meet. High on her list was Leonardo DiCaprio. Remarkably, within four years Robbie was in New York auditioning in person for DiCaprio and Scorsese, doing her very best to keep up with the actor’s “daunting” off-script improvisations and make sense of the indecipherable exchanges between the two men. Riffing on a scene in which an exasperated Naomi argues with DiCaprio’s priapic con man, Jordan Belfort, Robbie suddenly reached out and slapped the star. “We were stunned,” Scorsese recalled, “because she was as surprised as we were. But when she made that move, she claimed Naomi.” As for DiCaprio, he apparently told Robbie, “That was brilliant. Hit me in the face again!”

Under the two pros’ influence, Robbie re-discovered her knack for improvisation, unexplored since high school. Some of Wolf’s more memorable bits were, in fact, Robbie’s off-the-cuff contributions. She improvised, for example, the lines (both of which reverse the couple’s power dynamic) “We’re not going to be friends” and “ ‘Who?’ What are you, a fucking owl?” For the notorious nursery scene, it was Robbie’s idea to push her patent-leather stiletto into a groveling DiCaprio’s face. And it was she who boldly suggested that the dominatrix Venice should insert a lit candle between DiCaprio’s buttocks, to follow more closely the debauched autobiographical source material.

Robbie says, “Nobody else compares to Marty. I still pinch myself that I worked with this director who has been a pillar for dec­ades and decades. I can’t believe it! It was one of the best times in my life! I’d sit down and have lunch on the set and think to myself, I’m getting paid to do this! It was insane! Pure insanity!”

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VIDEO

[arnzilla]

Beore Pan Am was canceled, Robbie sent an audition tape to Ellen Lewis, Martin Scorsese’s casting director, without any real expectation of a response. The Wolf script had gone out to scores of hopefuls, she initially felt little sympathy for the gold-digger character, and she was ambivalent about the requisite nude scenes. Robbie had perhaps one edge over the competition: she had nailed Naomi’s salt-of-the-earth, outer-borough accent. For inspiration, she had drawn upon “my best friend from New York—a chef who grew up in Queens.” Robbie also channeled a woman from “the props department of Pan Am,” which had been shot at the Brooklyn Navy Yard. “These women have huge personalities,” Robbie says. “Nothing like what we have in Australia.”

Merry Christmas in July!

vimeo.com/arnzilla/mutt
vimeo.com/arnzilla/venice
vimeo.com/arnzilla/daddy

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NAILED IT!!!...

[shynney]

Thanks Arnzilla. This site does come up with some gems. Thanks to all!

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One more Pic (Awww....Puppy!!!)...

[sikri06]

Margot has really taken off due to Naomi. Now she is Harley Quinn according to Collier.

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MARGOT ROBBIE IN W (December 2014)
www.wmagazine.com/people/celebrities/2014/11/margot-robbie-actress-underwater/

Last year, Robbie burst onto the screen in Martin Scorsese’s The Wolf of Wall Street as Naomi, the self-invented sex-bomb spouse of the corrupt stockbroker Jordan Belfort, played by Leonardo DiCaprio. She epitomized a key element of the American dream—the trophy wife. Her character could have been a walking cliché, but Robbie gave Naomi sharp edges beneath the smooth, lacquered exterior; she was not only fantastic-looking, but also canny and self-protective.
Nearly every actress in her 20s tried out for the part of Naomi and, like the others, Robbie, who is Australian, submitted a tape of herself performing three scenes. Scorsese has a history of casting interesting, unknown actresses in his films—among others, Vera Farmiga in The Departed and Juliette Lewis in Cape Fear—but Robbie was not optimistic about her chances. She was in London, about to start work on another film, About Time, when she got the call saying Scorsese had liked her tape. She flew to New York and arrived for her audition wearing an outfit that she thought seemed perfect for Naomi: jeans and boots. “The casting director took one look at me and said, ‘Go down the street and buy the tightest dress and highest heels you can find,’ ” Robbie recalled. “ ‘That is Naomi.’ I came back dressed like that and read for Marty and Leo. Those heels were killing me, which is what I remembered most.”

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Margot In Marie Claire (March 2015)
www.marieclaire.com/celebrity/news/a13235/exclusive-sneak-peek-margot-robbie/

For a while there, it was fashionable to complain that there are no real movie stars anymore, that Hollywood just doesn't make them the way it used to. Then, filmgoers woke up on Christmas morning 2013, and there was Margot Robbie.

Offering up a transfixing big-screen debut as Naomi Lapaglia in The Wolf of Wall Street, the 24-year-old Australian played everything from coquettish to madcap to totally unhinged—in the thickest New York accent this side of the Pulaski Skyway, no less, and while periodically nude. Not only did she hold her own opposite Leonardo DiCaprio, she damn near stole the movie with a career-defining performance that summoned the glamorous ghosts of Grace Kelly and Kim Novak. "Something about her feels timeless," notes John Requa, who, with his writing-directing partner Glenn Ficarra, cast her opposite Will Smith in their upcoming crime caper Focus, out February 27. "We haven't had a star like this in a long time."

After all, it's not every actor who can deliver a line like "Mommy's just so sick and tired of wearing panties..." and walk away with her dignity intact. "With a lot of things in acting," Robbie says of playing Naomi, "if you do it half-assed, it just looks stupid. So I was like, I'm going to go all out and own it."